During a date in what appears to be the early goings of a courtship (complete with banal, dorky conversation beats like “Just play the hits!”), Robinson’s hapless everyman notices that his date is eating all of the fully loaded chips on their shared plate of nachos, leaving him with scraps. When given the choice, Robinson’s protagonists will more often than not lie, and when found out-and they are always found out-lie some more for good measure. Richardson has the ability to sell the ludicrous nature of this battle while also making all of the details sound completely plausible-if only he could’ve been on set for the last few Terminator movies. The head fake only works once “Christmas Carol” stays fresh by committing fully to the “ Christmas Carol is a time-travel story” premise, in all its janky dialogue, whacked-out exposition (“Now go ahead and eat that goop, Scrooge-it’ll give you the Bonie’s sense of humor”), and escalation of all the I Think You Should Leave jokes involving bones and/or skeletons. The second: Richardson, in mech armor, bursting through the reformed miser’s wall. And that hope surfaces, as such hopes often do, in the seemingly most unlikely of places: A cut-rate TV version of A Christmas Carol, titled The Night Scrooge Saved Christmas in the first indication that this isn’t your grandfather’s Dickens adaptation. Time to own up to the inherent faultiness of a list like this: One of I Think You Should Leave’s best sketches is best seen within the confines of the fourth episode, which introduces Sam Richardson’s cybernetic post-apocalyptic warrior in a blink-and-you’ll-miss-it cold open, cutting away shortly after he blurts out an epiphany about his/humanity’s last hope. “Christmas Carol” (season one, episode four) Which we do, resulting in a happy ending for Robinson and his intergalactic pals. That’s when the sketch takes a turn for the conceptual, as it’s revealed that Robinson is an alien from a biker planet sent down to Earth to make sure that the planet has motorcycles. Then, bit by bit, the sketch builds as Robinson marvels at a bike (“A motorcycle with no motor? Okay!”) and a car (“two motorcycles with a little house in the middle? Daaaang”) before being overwhelmed with ecstasy upon viewing a bus for what seems like the first time. “Biker Guy” uses both performance and text to reinforce the absurdity: The sketch is laugh-out-loud funny from the get-go, thanks to Robinson’s goofy wig and gravely “Woooooooow” as a motorcycle dude in awe of the sweet hog sitting in front of him on the sidewalk. Taking a simple prompt-in this case, the writing exercise “how would you describe this item to an alien?”-and using it as a springboard for pure, uncut silliness is one of I Think You Should Leave’s most effective comedic tactics. Presented as the ad break within River Mountain High’s TC Topps endorsement, “Wilson’s Toupees” bolsters the previous sketch’s Riverdale send-up, making it clear that while the drama might’ve started out targeting moody teens, its true audience is T-shirt tugging, middle-aged chrome domes who think musty Curly Howard schtick will make them the life of the party. The complications mount quickly within an authentically infomercial-cheap framework, and that’s even before Wilson’s throws a gorilla-suit ambush into the mix. Show-esque conceptual spiral, as celebrity spokesperson Bruno Amato passionately lays out a solution to a nonexistent problem: Giving up a toupee cold turkey without making friends and colleagues feel like you’ve been lying to them about your follicular fortitude. It’s heartening to see some of that old Detroiters spirit carrying over to I Think You Should Leave’s commercial parodies. “Wilson’s Toupees” (season one, episode two) Although, it is more common for him to make posts about their kids.37. The next year he uploaded a photo of the couple visiting a mall Santa - without the kids. "Happy birthday to my wife, the greatest human I know!" Tim wrote alongside a photo of Heather and their kids. However, he did give Heather a special birthday Instagram shoutout in 2016. The comedian rarely posts his wife online, and she does not have a social media presence. My kids had to leave, and they're crying," Tim said. Unfortunately, there was a miscommunication, and Heather and the kids were not allowed into the event. Take the kids,'" Tim recalled to The New Yorker in a 2021 interview. "And I got sick that morning, and so I told my wife, Heather, 'Just go. He recalled a time when he was working on "Saturday Night Live" and was given tickets through the show to see a Disney event at Madison Square Garden. Tim's wife prefers to stay out of the public eye, but the "I Think You Should Leave" creator has occasionally mentioned her in interviews.
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